This is really great :) Thanks for adding it. This gives a great level of control over dynamics on orcherstral/choir libraries I use where modulation of dynamics on CC1 is often used. The Pre/Post Mod feature gives even greater control to slightly delay this too. Using both Mod A and B to further shape the sound can create even more natural sound results. Creating affects like this: The latter two of these show some symmetry in the results. Cheers Mark

Hi Chris, Thanks for your reply. Yes that's sounds good. I can see it's not such a straight forward thing to implement as there as so many different combinations of using them. I like that they are sent even when the track is muted, which means any combination of tracks might want to send its CC data to any MIDI channel, whilst still maintaining separate tracks for notes too. The new support is also still very good as it allows some pretty good control over some of the ambient drone patches I use that are controlled with many parameters, making for an ever changing/different but repeatable drone. With the new pre-mod setting it can allow for interesting transitions too. And adding my second ARP could allow for even greater control still! Cheers Mark

Thanks for the tip. It makes perfect sense as I use the technique for orchestral string instruments already. Changing the Delay worked. There's still a latency between DAW metronome and the MIDI events, however, the MIDI track itself is perfectly on the beat as expected once recorded. Cheers

Same issue with missing and skipping here when using the 5 encoders. There appear to be 24 stages in the encoder. Turning slowly it can sometimes move through 5 stages before a number changes, usually in the same places in the encoder's rotation. I do wonder if it's a software issue rather than a hardware one. If the encoders are programmed to respond to the speed of turning then there might be points in the rate change where it just misses things altogether. If turning very slowly one step at a time and allowing the number to update, it doesn't cause the issue. It doesn't miss any however, I do find that there is occasionally a lag between the step changing on the encoder and the number updating which is more pronounced when moving through several steps in one go. So for me, it seems related to when turning the encoder without letting the number first update, and the speed/rate of turning - its responsiveness. I suspect the main program encoder is doing a lot more than the four macro encoders - the latter of which seem a lot more responsive but sometimes have the same issue. Cheers mark

Same issue here. It's too easy to clear the chords. I think other suggestions around associating chords or banks etc. might help too. Perhaps a long-press on the program knob could lock/unlock the chords when pthe Play button is pressed. This would still allow for manual playing of chords. A short press of the Program knob sould also still be able to enter Chord Chain mode to edit them further.

This attachment illustrates how the tied note arp/mono feature could improve the violin melody.

This attachment illustrates how the tied note arp/mono feature could improve the violin melody.

My process for the flute line was to remove the out-of-range notes, remove a couple of the same notes after eachother, and then change lengths to become a legato phrase. All of which my suggestion above could acheice automatically to produce the same

Hi. I found a similar issue after setting a chord to another on the list - for example "wholetone". At some point it switches to being a Custom X chord instead of what was set. For me it seems to do this after the default has been changed but I can't consistently recreate it at the moment to offer more detail. Cheers Mark